LUT → Sony In-Camera LUT Converter
Did your Sony camera reject a LUT or render washed-out colors in S-Log3? Converting a LUT requires more than resizing a grid: creative looks designed for Rec.709 or Panasonic V-Log must be compounded with Sony S-Log3 technical transforms to display properly. This tool handles intelligent color space transformations (baking Rec.709 film looks for S-Log3), resamples to compliant 33³ or 17³ grids, and formats strict Sony hardware headers for FX and Alpha bodies.
Sony Hardware & Color Space Configuration
Resampling a LUT from 65³ to 33³ only changes the grid size — it does not adapt a LUT designed for Rec.709 into a valid Sony S-Log3 LUT. Specify your source look's origin and your target camera below to bake the correct color pipeline.
Sony S-Log3 / S-Gamut3.Cine (Camera) → Technical S-Log3 to Rec.709 → Your Creative Look → Baked 33³ Sony User LUT
Your uploaded LUT was designed for standard Rec.709 video or film emulation (e.g. Kodak 2383, Fuji, Teal & Orange). For the camera, the converter first decodes S-Log3 with Sony's published curve, converts S-Gamut3.Cine to Rec.709 primaries and maps the result to a Rec.709 picture with a soft highlight roll-off, then applies your creative look, and bakes both into a single camera LUT. For Rec.709 footage in an editor, it only resamples the look.
Cinema Line standard. Supports 16 User LUT memory slots, Cine EI monitoring, and HDMI/SDI output LUTs. Use Slot 1 media.
/PRIVATE/SONY/PRO/LUT/Select .CUBE File to Convert
Workflow for Sony FX3 (ILME-FX3)
In-Camera GuideSD cards require /PRIVATE/SONY/PRO/LUT/; CFexpress Type A cards require /SONY/PRO/LUT/.
Menu → Shooting → LUT Settings → Manage User LUTs → Import
Guide
How to use LUT → Sony LUT Converter
Best for: Sony FX3, FX30, A7C II, A7CR, A6700, ZV-E1, and A7S III shooters.
- 1Upload any .cube LUT file from DaVinci Resolve, Premiere, or internet packs.
- 2Select the source color space (e.g. Rec.709 film look to bake with S-Log3, or native S-Log3).
- 3Select your Sony camera model, memory media (SD vs CFexpress), and target grid size (33³ or 17³).
- 4Download the sanitized .cube file (up to 63-character name) and copy it to the exact camera path.
Tips
- Sony cameras freeze or reject LUTs larger than 33³ — this tool automatically resamples 64³ and 65³ grids into compliant dimensions.
- If your creative LUT was made for standard Rec.709, choose Rec.709 input space: our converter bakes Sony S-Log3 technical conversion into the 33³ LUT.
- Sony α7 IV does not feature in-camera User LUT import slots — use Gamma Display Assist (Gamma Disp. Assist Typ.) on camera and apply this LUT in post.
FAQ
Where on the memory card should I place the converted file?
For SD cards (on all models including α6700, α7C II, α7CR, ZV-E1, FX3, FX30, α7S III), Sony requires /PRIVATE/SONY/PRO/LUT/. For CFexpress Type A cards (on FX3, FX30, α7S III, α9 III, α1 II), place in /SONY/PRO/LUT/. Note that the file name must be 63 characters or less.
Which source color space should I pick?
If your LUT is a creative look designed for standard Rec.709 video or film emulation (Kodak, Fuji), select Rec.709: the converter prepends S-Log3/S-Gamut3.Cine technical conversion and bakes a compound 33³ LUT. If your LUT was already created for S-Log3, choose S-Gamut3.Cine / S-Log3.